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Cheongsongsa-ji Temple Site – 청송사지 (Ulju-gun, Ulsan)
The Cheongsongsa-ji Temple Site is located in Ulju-gun, Ulsan between Mt. Munsusan (600.1 m) to the north and Mt. Namansan (544.3 m) to the south. Rather interestingly, the Cheongsongsa-ji Temple Site is also a current and active temple named Cheongsongsa Temple. Cheongsongsa Temple was first built during the reign of King Hyoso of Silla (r. 692-702 A.D.). At the time of its original construction, Cheongsongsa Temple was quite a large temple that was equivalent to the size of a small village where the temple is currently situated. It’s assumed that the temple was closed in the mid to late Joseon Dynasty (1392-1910). The reason for this belief is that the temple appears in the Jeungdongguk Yeoji Seungram, which was compiled in 1481.
When the temple was being rebuilt in 1917, under the watchful eye of the monk Chundam, a rather unreal event took place. The residents of the village that surrounds the Cheongsongsa-ji Temple Site were carrying an image of a seated Amita-bul (The Buddha of the Western Paradise) from the Banghyeonsa Temple Site to a temple in Mt. Odaesan. When they came to the front of the newly rebuilt Cheongsongsa Temple, the residents were suddenly unable to take another step forward. And suddenly, the weather turned and it started to pour rain. These sudden events made the residents realize that the right place for the Amita-bul statue was in fact at the newly built Cheongsongsa Temple, so they enshrined it there. According to the very same myth; but this time, during Japanese Colonial Rule (1910-1945), the Japanese attempted to remove the statue of Amita-bul and bring the statue to Japan. However, the Japanese failed when sudden winds and waves prevented them from leaving Korea. Hearing this, Chundam visited the habour where the statue was being held. There, he had a Buddhist service in front of the statue of Amita-bul. However, after conducting this service, Chundam fell ill with a lingering illness without any known cause. Afterwards, and suddenly one day, the image of Amita-bul appeared to Chundam in a dream. In this dream, the statue chastised the monk for not re-enshrining the statue back at the newly built Cheongsongsa Temple. Afterward, Chundam was able to recover but only after expanding Cheongsongsa Temple and re-enshrining the image of Amita-bul back at the temple. It’s unclear if the image of Amita-bul inside the Daejeokgwang-jeon Hall is the very same statue from the modern temple myth.
The Cheongsongsa-ji Temple Site is home to one Korean Treasure. It’s the Three-Story Stone Pagoda at Cheongsongsa Temple Site, which is Korean Treasure #382.
Temple Site LayoutAs you first approach the temple and temple site up a long twisting country road, you’ll first come across the Three-Story Stone Pagoda at Cheongsongsa Temple Site. This pagoda is a traditional three-story pagoda from Unified Silla (668-935 A.D.). It has a two-tiered stylobate (stepped platform), and the upper and lower stories of the stylobate have the same structure in which the pillar patterns are engraved on the corners and the centre. On top of the two-tiered stylobate rests a large base. Above the base is the body which is comprised of the main stones and roof stones. All are made from one stone. Of the three stories, it’s the first story that is especially tall and large, while the second story suddenly becomes smaller. The roof stones angle upwards at each of their corners. At the top of the pagoda, only the base to the finial still remains. From the overall style of the pagoda, it’s believed to date back to the 9th century. And during dismantling and renovative work conducted on the pagoda in 1962, a copper sarira case was found inside the pagoda that contained a standing bronze Buddha statue and about 30 additional items that included crystal, jade, and 16 glass beads.
The contents from inside the Three-Story Stone Pagoda at Cheongsongsa Temple Site.To the north of this Korean Treasure, you’ll need to travel a couple of the back alleys that belong to the Cheongsong-maeul (village). Eventually, you’ll come out on the other side and be welcomed by the grassy courtyard of Cheongsongsa Temple. Straight ahead of you is a rather large Daejeokgwang-jeon Hall. This main hall is fronted by two seokdeung (stone lanterns) on either side of the central pathway. The exterior walls to the Daejeokgwang-jeon Hall are adorned with two sets of paintings. The first of the two, which are the upper paintings, are the Palsang-do (The Eight Scenes from the Buddha’s Life). And the lower set is the Shimu-do (The Ox-Herding Murals).
Stepping inside the Daejeokgwang-jeon Hall is a rather long main altar. The central triad has a central image dedicated to Birojana-bul (The Buddha of Cosmic Energy). And this statue is joined on either side by Seokgamoni-bul (The Historical Buddha) and Amita-bul (perhaps the historic statue from the temple myth). To the left of the central triad is a shrine dedicated to Jijang-bosal (The Bodhisattva of the Afterlife). And on the far left wall is a memorial for the dead. To the right of the central triad, on the other hand, is a shrine dedicated to Gwanseeum-bosal (The Bodhisattva of Compassion). And on the far right wall is a beautiful Shinjung Taenghwa (Guardian Mural).
To the right rear of the Daejeokgwang-jeon Hall, and up a set of stairs, is an open-concept Sanshin-gak Hall. This wooden pavilion has exposed sides with a large wooden roof over top. Stepping inside the pavilion, you’ll find a solitary stone image dedicated to Sanshin (The Mountain Spirit) at the back wall of the rustic pavilion.
How To Get ThereFrom the Ulsan Intercity Bus Terminal, you’ll need to catch Bus #2300. You’ll need to take this bus for 17 stops, or 25 minutes, and get off at the “Yeonghae maeul – 영해마을” stop. From where the bus drops you off, which is next to the Ulju-gun County Office, you’ll need to head west up “Wuit-jitonggol-gil – 윗지통골길” road from the southern end of the county office grounds. You’ll pass under a highway bridge twice, and the road will eventually become the bisecting “Yulri-jung-maeul-gil – 율리중마을길” road. Finally, this road will become “Cheongsong-gil – 청송길” road. And this will lead you right up to the temple and temple site. The walk will take you about 50 minutes, or 2.5 km, from where the bus originally let you off.
Overall Rating: 6/10The rest of the temple pales in comparison to the Three-Story Stone Pagoda at Cheongsongsa Temple Site. The pagoda is one of only a handful of Buddhist Korean Treasures in the city of Ulsan. The pagoda stands like a sentinel out in front of the village and the recently rebuilt Cheonsongsa Temple. In addition to this Korean Treasure, other highlights at the temple and temple site include the interior of the Daejeokgwang-jeon Hall and the rather uniquely designed Sanshin-gak Hall open-concept pavilion to the rear of the main hall.
The Three-Story Stone Pagoda at Cheongsongsa Temple Site as you first approach it. Another angle of the Korean Treasure. And some ancient writing written on the first body stone on the west-side of the structure. The back alley leading up to the modern temple through Cheongsong-maeul (village). The welcoming Daejeokgwang-jeon Hall. One of the Shimu-do (Ox-Herding Murals) that adorns the exterior wall of the main hall. One of the decorative dragons near the signboard of the main hall above the main entry. A look inside the Daejeokgwang-jeon Hall at the rather long main altar. The central main altar triad with a central image of Birojana-bul (The Buddha of Cosmic Energy) joined by Seokgamoni-bul to the left and possibly the historic Amita-bul statue to the right. The Shinjung Taenghwa (Guardian Mural) inside the Daejeokgwang-jeon Hall. The view from the modern main hall towards the Three-Story Stone Pagoda at Cheongsongsa Temple Site. The open-concept Sanshin-gak Hall at Cheongsongsa Temple. And the statue of Sanshin (The Mountain Spirit) inside the shaman shrine hall.Korean classes in April!
Busan's Korean Language Institute For Foreigners (KLIFF) is offering classes for everyone. Make a change by learning Korean this season. The teachers at KLIFF can help!
Think it takes a year to speak Korean well? Think again! In just a month we can get you speaking with the locals!
KLIFF is located in two convenient locations: PNU and Haeundae.
We have as many as 9 levels of Korean ability for you to choose from. We also offer special lectures targeted toward the Korean proficiency test.
We're open from 9 a.m. to 10 p.m. Monday through Saturday, and available Sunday, too!
Questions or need directions? Feel free to call us any time at 010-9108-6594, or email to [email protected]. You can also check us out at www.kliff.co.kr.
See the map below to our PNU location, call or see our website for Haeundae classes.
Busan's Korean Language Institute For Foreigners (KLIFF) is offering classes for everyone. Make a change by learning Korean this season. The teachers at KLIFF can help!
Think it takes a year to speak Korean well? Think again! In just a month we can get you speaking with the locals!
KLIFF is located in two convenient locations: PNU and Haeundae.
We have as many as 9 levels of Korean ability for you to choose from. We also offer special lectures targeted toward the Korean proficiency test.
We're open from 9 a.m. to 10 p.m. Monday through Saturday, and available Sunday, too!
Questions or need directions? Feel free to call us any time at 010-9108-6594, or email to [email protected]. You can also check us out at www.kliff.co.kr.
See the map below to our PNU location, call or see our website for Haeundae classes.
LANIAKEA : Ladieswear in the City of Busan
Since 2015 LANIAKEA is in South Korea for ladieswear in semi-formal and semi-casual for moms and daughters !
We are locating on the second floor of the Homeplus Centum City Mall in Haeundae, Busan Korea. The subway #2 Green Line at the Centum City station, and then to the exit #2.
We provide free translations in between Korean, French, and English.
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Contact w. us at [email protected]
Board Games for Sale!
Games for $ale! All prices based on the current average price on the BGG Marketplace.
Add 5k for shipping outside Busan if you can't meet up.
Pictures upon request!
1. Crystal Palace w/ Bandage-o-matic and Blackwell Promos - 30k
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LANIAKEA
Since 2015 LANIAKEA is in South Korea for ladieswear in semi-formal and semi-casual for singles, moms and daughters !
We are locating on the second floor of the Homeplus Centum City in Haeundae Busan Korea.
Contact w. us at [email protected]
[Hangeul Lesson] Part 2. Master Hangeul consonants(ㅊ to ㅎ, double consonant)
Master Hangeul consonants with Cho Yoojin teacher
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How This Former North Korean Spy's Life is Under Threat (Clip)
This is a clip from our conversation with a former high-ranking North Korean government official who defected to South Korea in 2016. Watch the full episode here:
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12 hours in Korea’s beachside city of Ulsan
Ulsan is a major city that’s much less known to tourists, but still has a lot to offer. I went on a one-day tour of Ulsan together with Korean Jream and Korean Arah. The places we showed in this video were 십리대밭교 (Simnidaebat Bridge), 태화강 국가정원 (Taehwagang River Grand Park), 울산 십리대숲 (Ulsan Taehwagang Bamboo Forest), 대왕암공원 (Daewangam Park), 현대자동차 울산공장 (Ulsan Hyundai Motors Plant), and 일산해수욕장 (Ilsan Beach).
Check out Korean Jream here! https://www.instagram.com/koreanjream...
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12 hours in Korea’s beachside city of Ulsan
Ulsan has a lot to offer for travelers. I visited there together with Korean Jream and Korean Arah and we'll show you around some of the most famous places. If you've ever been there and have any other recommendations, let me know in the comments!
The post 12 hours in Korea’s beachside city of Ulsan appeared first on Learn Korean with GO! Billy Korean.
Recruitment of Online Korean Language Program at Pusan National University
Language Education Institute at Pusan National University has launched 10 weeks online Korean Language program for those who are interested in an intensive Korean Language Program but limited time and budget.
- Course Day & Time
- May 29(Mon) 2023 ~ August 3(Thu) 2023
- Every Mon, Tue, Thu 18:30 ~ 21:15(Korean Standard Time)
- Semester/Level
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- Course Registration
- March 6(Mon) ~ May 4(Thu) 2023
- Apply online at http://lei.pusan.ac..kr
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Colonial Korea – Bulguksa Temple
Bulguksa Temple is located at the western foot of Mt. Tohamsan (745 m) in eastern Gyeongju. Bulguksa Temple means “Buddha Kingdom Temple” in English. The name of Bulguksa Temple can have two possible meanings. The first is that traveling through the architectural landscape is like taking a journey through the spiritual realm of the Buddhas. So in a way, it’s an architectural manifestation of the celestial realm of the Buddhas on earth. And the second meaning is in reference to the Unified Silla (668-935 A.D.). More specifically, it’s a reference to the Unified Silla Kingdom building itself as a “Kingdom of Buddha.” In turn, this would help validate the Unified Silla Kingdom claim that it was a legitimate Buddhist nation.
Bulguksa Temple was first constructed in 528 A.D., which was also the first year that Buddhism was officially adopted by the Silla Kingdom (57 B.C – 935 A.D.) during the reign of King Beopheung of Silla (r. 514-540 A.D.). The temple was built to appease the wishes of King Beopheung’s mother, Queen Yeongje, and his wife, Queen Kim. Originally, the temple was named Beopryusa Temple or Hwaeom Bulguksa Temple. Later, the temple was rebuilt by King Jinheung of Silla’s mother, Queen Jiso (?-574 A.D.).
Then nearly two hundred years later, the construction of the Bulguksa Temple that we know today was started in 742 A.D. The design and financial backing of the newly built Bulguksa Temple came from Prime Minster Kim Daeseong (700-774 A.D.). However, before the temple could be completed, Kim Daeseong died in 774 A.D., and Bulguksa Temple was completed during the reign of King Hyegong of Silla (r. 765 – 780 A.D.). It was at this time that Bulguksa Temple was given its current name.
Throughout its long history, and prominent location in the former capital of Silla, Bulguksa Temple was destroyed several times; the first of which occurred in the late 13th century by the invading Mongols. During the temple’s destruction at this time, monks were also killed; however, the great temple artwork was hidden to preserve it, and the stonework also survived this sacking. Later, the temple was reconstructed and renovated several times during the Goryeo Dynasty (918-1392) and the Joseon Dynasty (1392-1910). However, Bulguksa Temple was again destroyed; this time, however, by the invading Japanese during the Imjin War (1592-1598). All of the wooden structures, including temple shrine halls and pavilions, were destroyed at Bulguksa Temple.
After the destruction of the temple in 1593, another major reconstruction and expansion took place at Bulguksa Temple in 1604. And in 1700, the original layout of the temple was completely restored. In about a 200 year period, over 40 renovations took place up until 1805 at Bulguksa Temple. It was in 1805 that the temple started to fall into disrepair and was looted by robbers.
Bulguksa Temple was then initially repaired during the early part of Japanese Colonial Rule (1910-1945) from 1918 to 1925. And it was further renovated between 1934 and 1935. Then after the Japanese Colonial Rule came to an end, an extensive restoration took place from 1963 to 1973 under President Park Chung-hee (1917-1979). In total, some 24 buildings were renovated and rebuilt. During the 1980s and 1990s, Bulguksa Temple simply acted as a major tourist attraction. However, in the year 2000, the management of Bulguksa Temple was transferred over to the Jogye-jong Order, and the temple resumed its central role in Korean Buddhism, once more.
Bulguksa Temple, along with the neighbouring Seokguram Hermitage, was declared a UNESCO World Heritage Site in 1995. Also, Bulguksa Temple is home to 7 National Treasures (the most at any Korean Buddhist temple), and an additional 6 Korean Treasures. Also, Bulguksa Temple is a Historic Site.
Colonial Era PhotographyIt should be noted that one of the reasons that the Japanese took so many pictures of Korean Buddhist temples during Japanese Colonial Rule (1910-1945) was to provide images for tourist photos and illustrations in guidebooks, postcards, and photo albums for Japanese consumption. They would then juxtapose these images of “old Korea” with “now” images of Korea. The former category identified the old Korea with old customs and traditions through grainy black-and-white photos.
These “old Korea” images were then contrasted with “new” Korea images featuring recently constructed modern colonial structures built by the Japanese. This was especially true for archaeological or temple work that contrasted the dilapidated former structures with the recently renovated or rebuilt Japanese efforts on the old Korean structures contrasting Japan’s efforts with the way that Korea had long neglected their most treasured of structures and/or sites.
This visual methodology was a tried and true method of contrasting the old (bad) with the new (good). All of this was done to show the success of Japan’s “civilizing mission” on the rest of the world and especially on the Korean Peninsula. Furthering this visual propaganda was supplemental material that explained the inseparable nature found between Koreans and the Japanese from the beginning of time.
To further reinforce this point, the archaeological “rediscovery” of Japan’s antiquity in the form of excavated sites of beautifully restored Silla temples and tombs found in Japanese photography was the most tangible evidence for the supposed common ancestry both racially and culturally. As such, the colonial travel industry played a large part in promoting this “nostalgic” image of Korea as a lost and poor country, whose shared cultural and ethnic past was being restored to prominence once more through the superior Japanese and their “enlightened” government. And Bulguksa Temple played a large part in the the propagation of this propaganda, especially since it played such a prominent role in Korean Buddhist history and culture. Here are a collection of Colonial era pictures of Bulguksa Temple through the years.
Pictures of Colonial Era Bulguksa Temple 1909 Dabo-tap Pagoda at Bulguksa Temple. (All pictures courtesy of the National Museum of Korea). The Daeung-jeon Hall. Pictures of Colonial Era Bulguksa Temple 1914 A look at the front facade of Bulguksa Temple looking eastward. And another look at the neglected Bulguksa Temple. Seokga-tap Pagoda at Bulguksa Temple. And Dabo-tap Pagoda, again. The only remaining lion from Dabo-tap Pagoda. There used to be four. The Gilt-Bronze Seated Amitabha Buddha of Bulguksa Temple. And a different angle of the Gilt-Bronze Seated Amitabha Buddha of Bulguksa Temple. The Gilt-Bronze Seated Vairocana Buddha of Bulguksa Temple. And the Gilt-Bronze Seated Vairocana Buddha of Bulguksa Temple from a different angle. And the seokjo (water basin) at Bulguksa Temple. Pictures of Colonial Era Bulguksa Temple 1915 The view of the temple grounds looking eastward. Pictures of Colonial Era Bulguksa Temple 1922 A look along the front facade of Bulguksa Temple. And the view from the west of the front facade. The Cheongungyo and Baegungyo Bridges of Bulguksa Temple. The Yeonhwagyo and Chilbogyo Bridges of Bulguksa Temple. Dabo-tap Pagoda. Pictures of Colonial Era Bulguksa Temple 1924 The front facade after repairs. The dilapidated Daeung-jeon Hall from the front. And the Daeung-jeon Hall from the back. The Geukrak-jeon Hall at Bulguksa Temple. Remnants of the Stone Elevation of Bulguksa Temple. Even more of the remnants of the Stone Elevation of Bulguksa Temple. And the temple from a distance. Pictures of Colonial Era Bulguksa Temple 1935-36 Bulguksa Temple in 1935 with Japanese dignitaries on the Cheongungyo and Baegungyo Bridges of Bulguksa Temple. The remaining lion that adorns Dabo-tap Pagoda in 1936. Pictures of Colonial Era Bulguksa Temple Specific Dates Unknown (1909-1945) Repairs on the Cheongungyo and Baegungyo Bridges of Bulguksa Temple. Completed work on the Cheongungyo and Baegungyo Bridges of Bulguksa Temple. A closer look at the Cheongungyo and Baegungyo Bridges of Bulguksa Temple after repair work was completed. Repair work on the front facade. Completed repairs. Dabo-tap Pagoda before repairs. Dabo-tap Pagoda after repairs. At a different angle after repairs. A look towards Dabo-tap Pagoda from the eastern side of the Daeung-jeon Hall. The seokdeung (stone lantern) in front of the Daeung-jeon Hall. Seokga-tap Pagoda after being repaired. A look towards Seokga-tap Pagoda from the western side of the Daeung-jeon Hall. A view from the Daeung-jeon Hall down towards the Geukrak-jeon Hall after being repaired. The Stupa of Bulguksa Temple before repairs. The capstone being placed on top of the Stupa of Bulguksa Temple. The Stupa of Bulguksa Temple after repairs were completed on it. And a budo (stupa) at Bulguksa Temple.—Dale's Korean Temple Adventures YouTube
반면에 "On the other hand" | Live Class Abridged
There are only three more live Korean classes remaining before the summer break (I always take a break during my trips to Korea). The most recent class I did was all about the grammar form 반면(에), which means "on the other hand." The full class was over an hour and a half long, but you can watch the summary here which is under 7 minutes.
The post 반면에 "On the other hand" | Live Class Abridged appeared first on Learn Korean with GO! Billy Korean.
My Book, For the Love of Time, For Sale on Amazon
My second collection of short stories, and my second book published this year, is now available for purchase on Amazon.com.
From the troubled neighborhoods of inner-city Chicago, to the great woods of northern Michigan, to the idyllic campus environs of universities in South Korea, the short story collection, For the Love of Time: Tales From Home and Abroad, transports the reader to manifold destinations around the world. In these seventeen short stories composed between 2009 and 2022, the author, Andrew Lawrence Crown, introduces us to a multifarious assortment of characters, ranging from Native American warriors and princesses, to Vietnamese exchange students seeking opportunity and adventure through work and study abroad in South Korea, to forlorn expatriate professors and would be authors harboring fantastical hopes for renown and prestige in writing and letters, to strong-willed Asian wives and lovers striving with persevering fortitude to lead their wayward husbands and suitors away from the abyss of despondent dissolution and back into the dignified fold of common decency and honor. The stories in this volume, peopled by a multinational, multiethnic, and multiracial amalgam of characters from across the globe involved in foreign affairs of a romantic rather than political nature, promise to provide those willing to devote the time to reading these tales from home and abroad, with a literary experience as poignant and enlightening as it is entertaining in its examination of the attributes of love, art, and the pursuit of literature and philosophical wisdom as a way of life.
FrontcoverTime.jpg BackCoverTime.jpg
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Screenshot_20230320_173349.jpg Screenshot_20230320_173355.jpg Screenshot_20230320_173338.jpgHow to Pronounce 의 | Korean FAQ
I explain how to pronounce 의 in several situations, including how to say it on its own, at the start of a word, in the middle or end of a word, and when it’s used as the Possessive Marker. I also show how it can be pronounced differently in dialects.
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North Korean Spy Reveals The Truth Behind Otto Warmbier’s Death | The UNCUT Interview
128,213 views Mar 27, 2023
We spoke to a Chul-eun Lee, a former high-ranking North Korean government official who defected to South Korea in 2016. If you are curious about the inner workings of the North Korean spy agency at the highest level, make sure to watch the video til the end.
Watch our first interview with Chul-eun Lee here:
• We Interviewed A ...
If you want to help him financially or show your support, feel free to reach out to Chul-eun Lee here: [email protected]
The opinions expressed in this video are those of individual interviewees alone and do not reflect the views of ASIAN BOSS.
0:00 - Intro
1:03 - People’s reactions since the first interview
4:40 - Are you still getting news from North Korea?
5:37 - How did COVID Pandemic affect North Korea?
7:56 - Are North Koreans still starving to death in 2023?
8:48 - Current situation in North Korea
9:52 - North Koreans’ access to global news
10:28 - Shift in the mindset of North Koreans
11:53 - How does North Korea punish its people?
13:17 - How Kim Jong-Un killed his uncle
14:49 - Is it possible for Kim Jong-Un to maintain his power?
16:54 - How Russia-Ukraine War affects North and South Korea
18:39 - North Korea’s technologically advanced weapons
19:43 - The Otto Warmbier case
23:46 - Torture methods in North Korea
26:46 - How did you first find out about the Otto Warmbier case?
29:11 - Otto Warmbier’s confession at the news conference
29:53 - Warmbier’s sudden death after coming back to the US
33:47 - North Korea’s Biological Weapons
36:41 - North Korea’s nuclear capabilities
38:39 - Is your life under threat?
41:40 - Personal struggles since the first interview & COVID
44:39 - What could the future of North and South Korea look like?
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How to Pronounce 의 | Korean FAQ
의 can be tricky to pronounce for beginners - not only because it's the sounds 으 and 이 combined into one, but also because it can be pronounced three different ways. 의 can be pronounced as 의, 에, and 이, depending on how it's being used and where it is in a word. In this video I break down how to pronounce 의, when to pronounce 의 each of these different ways, and some tips for remembering.
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Five-Story Stone Pagoda in Wanggung-ri – 익산 왕궁리 오층석탑 (Iksan, Jeollabuk-do)
The Five-Story Stone Pagoda in Wanggung-ri is located in northeastern Iksan, Jeollabuk-do in the the Archaeological Site in Wanggung-ri, which is a Historic Site. It is unknown as to when this pagoda was first built, whether it was during the Baekje Kingdom (18 B.C. – 660 A.D.), or during Unified Silla (668-935 A.D.), or during the Goryeo Dynasty (918-1392). However, what is known is that the pagoda was created in the typical Baekje Kingdom style. From 1965-66, the Five-Story Stone Pagoda in Wanggung-ri was dissembled and reassembled. Prior to this, the base of the pagoda was buried in the ground. In total, the large pagoda consists of a five-story structure with a small finial remaining atop the pagoda.
The Five-Story Stone Pagoda in Wanggung-ri is National Treasure #289. And the Reliquaries from the Five-Story Stone Pagoda in Wanggung-ri found inside the historic pagoda during its reconstruction in the 1960’s are also a National Treasure: National Treasure #123. Additionally, the site where the Five-Story Stone Pagoda in Wanggung-ri is located in the Archaeological Site in Wanggung-ri is Korean Historic Site #408.
The Five-Story Stone Pagoda in Wanggung-ri in 1910. (Picture courtesy of the National Museum of Korea). A map of the Archaeological Site in Wanggung-ri. Temple Site LayoutFrom the Archaeological Site in Wanggung-ri‘s parking lot, you’ll make your way north towards the Historic Site where the Five-Story Stone Pagoda in Wanggung-ri is located. The Historic Site, which is officially known as the Archaeological Site in Wanggung-ri, is also called the “sacred place in Wanggung-ri.” There are numerous interpretations about the site. Some scholars believe it to be the capital of the ancient Mahan Confederacy (1st century B.C. to 5th century A.D.). Others consider it to be the place where King Mu of Baekje (r. 600-641 A.D.) built a new palace and the capital. While some others think the historic site to be the capital of Later Baekje (892–936 A.D.), which was founded by Gyeon Hwon (r. 892 – 934 A.D.). And finally, some scholars believe it to be the place where Anseung (fl. 668-683 A.D.) founded the Kingdom of Bodeok.
In the historic text, the Gwanseeum eungheomgi, or “The Record of the Miraculous Responses of Avalokitesvara” in English, it states that King Mu of the Baekje (r. 600-641 A.D.) moved the capital of his kingdom to Iksan. From this, it’s been interpreted that the capital was moved to Iksan during the late Baekje Kingdom.
Several excavations have been conducted on the site by various groups and agencies. From these excavations, it’s believed that the archaeological remains date back to the late Baekje Kingdom to the late Unified Silla Dynasty. Two kilns for baking roof tiles were discovered at the site from Unified Silla. They were discovered some thirty metres east of the Five-Story Stone Pagoda in Wanggung-ri. There were also remains from a fortress, believed to be a rectangular designed fortress, built on the flat ground. These remains were discovered and excavated around the pagoda. In addition to these archaeological discoveries around the Five-Story Stone Pagoda in Wanggung-ri, the remains of a temple, and its layout, have been discovered around the pagoda, as well. In total, some 50 palace and temple building sites have been discovered at the historic site.
Having looked around the Archaeological Site in Wanggung-ri, and now standing in front of the Five-Story Stone Pagoda in Wanggung-ri, you’ll notice the beautiful five-story stone structure reaching upwards. The weight of the pagoda rests upon a stout base and a longer foundation. At each of the four corners of the foundation are installed octagonal corner stones. These are meant to serve as corner columns between the long, square stones of the foundation. This is done to imitate a wooden pagoda design. Inside the columns, they are filled with earth, in which fragments of Baekje Kingdom roof tiles were discovered. As for the five stories of the structure, each story consists of a thin, flat roof stone that’s slightly turned upwards at the corner. The marks left on each of the corners of the five stories suggest that wind chimes once hung from the pagoda. Additionally, each roof stone has a supporting stone that holds the structure aloft.
In 1965, during the reconstruction of the pagoda, the Reliquaries from the Five-Story Stone Pagoda in Wanggung-ri were discovered between the base and the first story of the pagoda’s body. It was from these relics, as well as the design of the foundation, that allowed scholars to believe that the pagoda dates back to the early Goryeo Dynasty. The pagoda is a beautiful combination of Baekje and Silla style pagodas.
As for the Reliquaries from the Five-Story Stone Pagoda in Wanggung-ri, which are National Treasure #123 and housed at the Iksan National Museum, they date back to a wide range of time spanning from the Baekje Kingdom (18 B.C. – 660 A.D.) to the Goryeo Dynasty (918-1392). More specifically, a bronze standing statue of the Buddha with a mandorla and pedestal were discovered, as well as a ceremonial hand bell. Both were found in the eastern holes of the top side of the platform. Additionally, incense was found in the northern part of the holes of the pagoda. Unfortunately, the other holes on the northern part of the pagoda with which relics could be discovered showed signs of robbery. The two holes made at the centre of the upper side of the roof stone of the first story of the pagoda’s body produced a green glass sari bottle with a lotus bud-shaped lid and a set of 19 pure gold sheets of the Diamond Sutra tied with two gold strings. These golden relics were safely secured inside a double-walled reliquary.
How To Get ThereTo get to the Five-Story Stone Pagoda in Wanggung-ri, you’ll first need to get to the Iksan Train Station. From here, you’ll be able to catch either Bus #65 or Bus #65-1. After 34 stops, or 38 minutes, you’ll need to get off at the “Wanggung-yujeok jeonsigwan – 왕궁유적 전시관” stop. From this stop, you’ll need to walk about 5 minutes, or 300 metres, to get to the site.
Overall Rating: 5.5/10The Archaeological Site in Wanggung-ri stretches almost 220,000 m2 of land in Iksan with the Five-Story Stone Pagoda in Wanggung-ri being its crown jewel. Large in size, and creative in design, the historic pagoda stands at the front of what was formerly both a palace and temple. Once you’ve explored the historic pagoda, perhaps take the time to explore the rest of the grounds with the Iksan National Museum as your final destination to enjoy the contents of the Reliquaries from the Five-Story Stone Pagoda in Wanggung-ri.
The Archaeological Site in Wanggung-ri as you first approach it. The stunning Five-Story Stone Pagoda in Wanggung-ri. A closer look from the southeast. A look around some of the Archaeological Site in Wanggung-ri. And another look around the Archaeological Site in Wanggung-ri from north of the five-story pagoda. A look up at the Five-Story Stone Pagoda in Wanggung-ri from the west. And one final look at the amazing Five-Story Stone Pagoda in Wanggung-ri. The contents of the Reliquaries from the Five-Story Stone Pagoda in Wanggung-ri included the golden reliquary and the green glass sari bottle. Both are now found at the Iksan National Museum. (Picture courtesy of the CHA). One of the 19 pure gold sheets of the Diamond Sutra found inside the five-story pagoda. (Picture courtesy of the CHA). The bronze standing statue of the Buddha that was included in the Reliquaries from the Five-Story Stone Pagoda in Wanggung-ri. (Picture courtesy of the CHA). And an up close of the bronze Buddha statue. (Picture courtesy of the CHA).—Dale's Korean Temple Adventures YouTube
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англ.правильный.jpgColonial Korea – Tongdosa Temple
Tongdosa Temple, which is located in northern Yangsan, Gyeongsangnam-do, is the largest temple in all of Korea with nineteen hermitages spread throughout its vast grounds. Tongdosa Temple means “Passing Through to Enlightenment Temple” in English. Tongdosa Temple was first founded in 646 A.D. by the famed monk Jajang-yulsa (590-658 A.D.). According to the “Tongdosa-sarigasa-sajeok-yannok,” the temple site was originally a large pond, but it was covered over by landfill so as to allow for Tongdosa Temple to be built. Also, and according to the “Tongdosa-yakji,” the name of Mt. Yeongchuksan, which is where Tongdosa Temple is located, was named after the mountain in India where the Historical Buddha (Seokgamoni-bul) gave his dharma talks. Mt. Yeongchuksan had the same rocky appearance as the original in India. So using Chinese characters (Hanja), the mountain was called Yeongchuksan.
According to the Samguk Yusa, or Memorabilia of the Three Kingdoms in English, Jajang-yulsa founded Tongdosa Temple. Jajang-yulsa traveled to Tang China (618–690, 705–907 A.D.) in 636 A.D. to study alongside ten other monks. Upon his return to the Silla Kingdom (57 B.C. – 935 A.D.), Jajang-yulsa brought with him Buddhist texts and holy relics of the Buddha that were given to him by Munsu-bosal (The Bodhisattva of Wisdom) during his travels in Tang China. Besides the Great Tripitaka (a collection of Buddhist sutras, laws, and treatises), Jajang-yulsa also returned to Silla with Seokgamoni-bul’s (The Historic Buddha’s) robe, alms bowl, a tooth, and a part of his jaw bone. Jajang-yulsa acquired all these items in Tang China in 643 A.D. After its establishment, Tongdosa Temple gradually grew in size and became the centre for Korean Buddhism under the protection of the royal family.
So much of Tongdosa Temple’s history centres on the preservation of the sari (crystallized remains) of Seokgamoni-bul (The Historical Buddha). At the time of its founding by Jajang-yulsa, Tongdosa Temple had several buildings that surrounded the centrally located Geumgang-gyedan (The Diamond Altar), which housed the sari of the Buddha. Later, and in 1085, during the reign of King Seonjong of Goryeo (r. 1083-1095), Tongdosa Temple was greatly expanded. According to the Samguk Yusa, again, Commander Kim Ri-saeng and Sirang Yuseok were commanding the troops on the east side of the Nakdong River under the orders of King Gojong of Goryeo (1213-1259) in 1235. Together, they visited Tongdosa Temple, where they lifted the stone lotus bud at the centre of the Geumgang-gyedan, where the sari of the Buddha are housed. They wanted to pay their respects to Seokgamoni-bul (The Historical Buddha) as devout Buddhists. One of the glass containers inside the stone lotus bud cracked, so Yuseok donated a crystal container he had to help store some of the sari. According to the Samguk Yusa, this was the first time that human hands touched the Buddha’s sari at Tongdosa Temple.
Several other buildings at Tongdosa Temple were built in 1340 and 1369 like the Myeongbu-jeon Hall, the Geukrak-jeon Hall, the Yaksa-jeon Hall, and the Hwaeom-jeon Hall. Then in 1377, when the Japanese trespassed on the temple grounds to steal the sari of the Buddha, Wolsong-daesa, who was the head monk at Tongdosa Temple at that time, safely hid the sari and concealed them from the Japanese. Then, in a second invasion by the Japanese in 1379, Wolsong-daesa took refuge in the capital of Gaegyeong (modern-day Kaeseong, North Korea) with the Buddha’s sari.
During the Imjin War (1592-1598), the sari at Tongdosa Temple were plundered by the Japanese army. However, Grhapati Baegok from Dongnae (in modern-day Busan), who was captured by the Japanese, recovered the sari and escaped to safety with the sari. Afterwards, the famed monk Samyeong-daesa (1544-1610) sent two sari cases to Mt. Geumgangsan (modern-day North Korea). Then, with the Imjin War at an end in 1603, the Geumgang-gyedan (Diamond Altar) was restored after being ruined, and the sari of the Buddha were enshrined, once more, at Tongdosa Temple in their original location at the temple. Ever since the early 17th century, Tongdosa Temple has undergone numerous renovations and rebuilds. In total, the Geumgang-gyedan has been repaired seven times in total including in 1379, 1603, 1652, 1705, 1743, 1823, and 1911 (during Japanese Colonial Rule).
Alongside Haeinsa Temple (The Dharma) in Hapcheon, Gyeongsangnam-do, Songgwangsa Temple (Sangha) in Suncheon, Jeollanam-do, Tongdosa Temple (Buddha) make up the Three Jewel Temples (삼보사찰, or Sambosachal in English) in Korea.
Tongdosa Temple is home to one National Treasure, the Daeung-jeon Hall, and 18 additional Korean Treasures. Of these 18 Korean Treasures, 11 can be found inside the Tongdosa Museum, while the remaining 7 can be found throughout the temple grounds. Tongdosa Temple has one of the largest collections of Korean Treasures at a single temple in Korea.
Colonial Era PhotographyIt should be noted that one of the reasons that the Japanese took so many pictures of Korean Buddhist temples during Japanese Colonial Rule (1910-1945) was to provide images for tourist photos and illustrations in guidebooks, postcards, and photo albums for Japanese consumption. They would then juxtapose these images of “old Korea” with “now” images of Korea. The former category identified the old Korea with old customs and traditions through grainy black-and-white photos.
These “old Korea” images were then contrasted with “new” Korea images featuring recently constructed modern colonial structures built by the Japanese. This was especially true for archaeological or temple work that contrasted the dilapidated former structures with the recently renovated or rebuilt Japanese efforts on the old Korean structures contrasting Japan’s efforts with the way that Korea had long neglected their most treasured of structures and/or sites.
This visual methodology was a tried and true method of contrasting the old (bad) with the new (good). All of this was done to show the success of Japan’s “civilizing mission” on the rest of the world and especially on the Korean Peninsula. Furthering this visual propaganda was supplemental material that explained the inseparable nature found between Koreans and the Japanese from the beginning of time.
To further reinforce this point, the archaeological “rediscovery” of Japan’s antiquity in the form of excavated sites of beautifully restored Silla temples and tombs found in Japanese photography was the most tangible evidence for the supposed common ancestry both racially and culturally. As such, the colonial travel industry played a large part in promoting this “nostalgic” image of Korea as a lost and poor country, whose shared cultural and ethnic past was being restored to prominence once more through the superior Japanese and their “enlightened” government. And Tongdosa Temple played a part in the propagation of this propaganda, especially since it played such a prominent role in Korean Buddhist history and culture. Here are a collection of Colonial era pictures of Tongdosa Temple through the years.
Pictures of Colonial Era Tongdosa Temple 1909 The Iljumun Gate. (All pictures courtesy of the National Museum of Korea). The Cheonwangmun Gate. The Beomjong-ru Pavilion. The Geukrak-jeon Hall. The Yeongsan-jeon Hall. The latticework and eaves of the Yeongsan-jeon Hall. The Yaksa-jeon Hall. The eaves to the Yaksa-jeon Hall. The Bulimun Gate. The eaves of the Bulimun Gate. The Gwaneum-jeon Hall. The eaves of the Gwaneum-jeon Hall. The eaves of the Daeung-jeon Hall. The latticework to the Daeung-jeon Hall. The ceiling inside the Daeung-jeon Hall. The Eungjin-jeon Hall. The eaves to the Eungjin-jeon Hall. Pictures of Colonial Era Tongdosa Temple 1915 In front of the Daeung-jeon Hall Inside the kitchen at Tongdosa Temple. Pictures of Colonial Era Tongdosa Temple 1918 The Stone Boundary Marker of Tongdosa Temple. Another angle. A shrine to the right of the Daeung-jeon Hall. The Three-Story Stone Pagoda of Tongdosa Temple. The Daeung-jeon Hall with the Geumgang-gyedan in the background. And the Geumgang-gyedan at Tongdosa Temple behind the Daeung-jeon Hall. Pictures of Colonial Era Tongdosa Temple 1927 A look down at the temple grounds. The upper courtyard with the Gwaneum-jeon Hall (foreground) and Daeung-jeon Hall (background). Pictures of Colonial Era Tongdosa Temple Specific Dates Unknown (1909-1945) The Alms Bowl Pagoda of Tongdosa Temple. The bridge out in front of the upper courtyard. Unfortunately, this specific bridge no longer exists due to a recent earthquake. The Geumgang-gyedan behind the Daeung-jeon Hall at Tongdosa Temple.