Koreabridge
Korean Traditional Music & Dance @ Gugak Center Busan
○ Dates: March 3 - June 30, 2021 (Every Wednesday 7:30 p.m.)
○ Time: 7:30 p.m.
○ Venue: Busan National Gugak Center
○ Tickets: A-seat 10,000 won / B-seat 8,000 won
○ For more info.: (051)811-0114
○ Website: http://busan.gugak.go.kr/main.do
PROGRAM
March 3 (Traditional performance)
https://busan.gugak.go.kr/portal/prfm/view.do?prfmSn=3224&prfmDtSn=1&mId=0101010000
March 10 (Gayageum)
https://busan.gugak.go.kr/portal/prfm/view.do?prfmSn=3225&prfmDtSn=1&mId=0101010000
March 17 (Gayageum)
https://busan.gugak.go.kr/portal/prfm/view.do?prfmSn=3226&prfmDtSn=1&mId=0101010000
March 24 (Gayageum Byeongchang (A Voice with Gayageum) )
https://busan.gugak.go.kr/portal/prfm/view.do?prfmSn=3227&prfmDtSn=1&mId=0101010000
March 31 (Ajaeng)
https://busan.gugak.go.kr/portal/prfm/view.do?prfmSn=3228&prfmDtSn=1&mId=0101010000
Billy Go’s Beginner Korean Course | #96: I Want To
In this lesson you'll learn about the ~래(요) form, which can be used to say things that you want to do or intend to do. We'll also learn how this form is different from the (으)려고 form we previously learned.
The final four lessons of this series (100 episodes in total) will be focused on day-to-day conversations using everything that we've learned in this course. Stay tuned!
The post Billy Go’s Beginner Korean Course | #96: I Want To appeared first on Learn Korean with GO! Billy Korean.
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2021 ASEAN Cinema Week (Online & @ Busan Cinema Center)
From: https://www.ach.or.kr/user/program/detail?pno=2162
2021 ASEAN Cinema Week - ON:TACT
Ticket Booking (Admission is all free)
▶ [Seoul] February 27 (Sat) 10:00~ ☞ Click Here to Book!
▶ [Busan] March 13 (Sat) 10:00~ ☞ Click Here to Book!
▶ [Online] March 12(Fri) – 25(Thu) / "ASEAN Cinema Week" Naver TV Channel ☞ Click Here to Watch!
※ 2021 ASEAN Cinema Week complies with the government's quarantine management guidelines to prevent the spread of COVID-19.
※ "Mother Gamer" is presented in its original language only with Korean subtitles.
iPhone X 64gb for sale
Space gray iPhone X 64gb for sale. It's still in good condition. Glass screen protector applied since day 1. Only minor usage scratches, no visible dents. Battery percentage at 79% and only comes with charger. Price: 260.000 won Contact me on kakao o1o 7683 9410
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Canon DSLR + 2 Lenses, ND Filter, 350,000 WON OBO
Selling my well taken care of Canon T3i (600D) DSLR. Included are two great lenses, two extra batteries, the charger (US plug), a variable ND filter, and a case for the camera. 350,000 WON.
The included lenses are a Canon EF 50mm f/1.8 STM lens ($130 new on Amazon), and a Canon Ef-S 10-18mm f/4.5-5.6 lens (~$250 new on Amazon).
Great kit for someone interested in photography, or who wants the two great lenses.
350,000 WON
20210207_125610.jpg 20210207_125632.jpg 20210207_125643.jpg 20210207_125701.jpg 20210207_125730.jpgSsangbongsa Temple – 쌍봉사 (Hwasun, Jeollanam-do)
This posts contains affiliate links. I receive a percentage of sales, if you purchase the item after clicking on an advertising link at no expense to you. This will help keep the website running. Thanks, as always, for your support!
Temple HistorySsangbongsa Temple, which is located in Hwasun, Jeollanam-do, means “Twin Peak Temple” in English. Ssangbongsa Temple was first established by the monk Cheolgam-seonsa. At the age of twenty-eight, Cheolgam-seonsa (797-868 A.D.) traveled to Tang China (618-907 A.D.) to study Buddhism. Cheolgam-seonsa returned to the Korean peninsula in 847 A.D. alongside Beomil-guksa (National Preceptor). Cheolgam-seonsa settled around Mt. Pungaksan in Namwon, Jeollabuk-do. He later moved to Hwasun, where he built a temple that he called Ssangbongsa Temple. The name of the temple was based upon his pen-name, which literally means “twin peaks” in English.
However, there is some dispute as to when the temple was built. The stele dedicated to Hyecheol at neighbouring Taeansa Temple in Gokseong, Jeollanam-do states that Hyecheol spent a summer at Ssangbongsa Temple after returning to the Korean peninsula from Tang China during King Sinmu of Silla’s (r. 839) reign. So it appears as though the temple had already been built before 839 A.D., and definitely before Cheolgam-seonsa’s return to the Korean peninsula in 847 A.D.
Whoever first built Ssangbongsa Temple first, the temple was part of the Sajasan School of Seon Buddhism. The monk Jinghyo first opened the Sajasan School of Seon Buddhism at Heungnyeongsa Temple in Yeongwol, Gangwon-do. Heungnyeongsa Temple is now known as Beopheungsa Temple, and it was one of the original Seonjong Gusan (Seon Sect Nine Mountains). Ssangbongsa Temple, under the watchful eye of Cheolgam-seonsa, was the first branch temple to open up under the Sajasan School of Seon Buddhism.
When Cheolgam-seonsa died at the temple at the age of seventy-one, King Gyeongmun of Silla (r. 861-875) awarded Cheolgam-seonsa with a posthumous honorary title in recognition of all the service he had done as a teacher for the state. It was also at this time that Stupa of Master Cheolgam at Ssangbongsa Temple (N.T. #57) and Stele for Master Cheolgam at Ssangbongsa Temple (T #170) were built to honour the Buddhist monk.
Ssangbongsa Temple was later rebuilt by Hyeso-guksa in 1081. From this time up until the later part of the 16th century, Ssangbongsa Temple was repeatedly expanded. During the Imjin War (1592-1598), Ssangbongsa Temple was destroyed in 1597. In 1628, the temple was reconstructed, and it was further rebuilt in 1667 and 1724.
Until recently, there were only three historic wooden pagodas that date back to the early 17th century that were Korean National Treasures. They were the Palsang-jeon Hall at Beopjusa Temple, the Mireuk-jeon Hall at Geumsansa Temple, and the Daeung-jeon Hall at Ssangbongsa Temple. While both the Palsang-jeon Hall and the Mireuk-jeon Hall still stand to this day at their historic temples, the Daeung-jeon Hall no longer stands. In 1984, while a worshiper was celebrating Buddha’s Birthday, the worshiper tripped over a candle and the entire Daeung-jeon Hall burned to the ground. The one that now stands at Ssangbongsa Temple is a precise replica of the former wooden pagoda.
Ssangbongsa Temple, despite the tragic destruction of the Daeung-jeon Hall, is home to one National Treasure and three additional Korean Treasures.
Temple LayoutSsangbongsa Temple is located in a bend in a country road. From the temple parking lot, you’ll see the stately Iljumun Gate right in front of you. With slender pillars and a top heavy roof, the Iljumun Gate is a beautiful introduction to the temple. Next up is the Cheonwangmun Gate. Housed inside the Cheonwangmun Gate are four eye-popping Four Heavenly Kings. Just to the left, as you emerge on the other side of this entry gate, is the temple’s Jong-ru (Bell Pavilion).
Towering over top of the Cheonwangmun Gate, and the rest of the temple grounds for that matter, is the rebuilt Daeung-jeon Hall. The present three-story wooden pagoda dates back to 1986, when it was rebuilt as an exact replica of the original. The exterior walls are beautifully adorned with intricate Dancheong colours. As for the interior, and sitting on the main altar of the Daeung-jeon Hall, is a statue of Seokgamoni-bul (The Historical Buddha).
Directly to the rear of the three-story Daeung-jeon Hall, and up an embankment, is the Geukrak-jeon Hall. The exterior walls to this hall are adorned with Shimu-do (The Ox-Herding Murals). And sitting on the main altar of this temple shrine hall is the central image of Amita-bul (The Buddha of the Western Paradise). This statue is joined on either side by standing statues dedicated to Gwanseeum-bosal (The Bodhisattva of Compassion) and Daesaeji-bosal (The Bodhisattva of Wisdom and Power for Amita-bul).
To the left of the Geukrak-jeon Hall, and still up the embankment, is the Jijang-jeon Hall. The exterior walls to this hall are adorned with some pretty scary murals dedicated to the Afterlife and the Siwang (The Ten Kings of the Underworld) and the particular underworld that they rule over. As for the interior, and sitting on the main altar, sits a green haired statue dedicated to Jijang-bosal (The Bodhisattva of the Afterlife). This central statue is joined by the Siwang. All of these statues are officially known as the Wooden Ksitigarbha Bodhisattva Triad and Ten Underworld Kings of Ssangbongsa Temple. They are also Korean Treasure #1726. The collection of wooden statues date back to 1667, when they were first created by the monk Unhye and a team of Buddhist monks.
To the right of the Geurak-jeon Hall are two additional temple shrine halls. To the immediate right of the Geukrak-jeon Hall is the Nahan-jeon Hall. The exterior walls are adorned with various depictions of the Nahan (The Historical Disciples of the Buddha). As for the interior, you see statues of the Nahan inside. And in front of the Nahan-jeon Hall is the Hoseong-jeon Hall. This building is off-limits to the general public; however, there are some beautiful paintings adorning the exterior walls of this temple shrine hall.
As for the rest of the temple grounds, and definitely the most historic, you’ll find the stupa and stele dedicated to Cheolgam-seonsa to the rear of the temple grounds in a sectioned off area. The Stupa of Master Cheolgam at Ssangbongsa Temple is National Treasure #57. The stupa is believed to have been first constructed in 868 A.D. upon the death of the beloved monk. While the stupa is typical of the designs of Later Silla (668 – 935 A.D.), the finial is missing from the top of the stupa.
Also in this part of the temple is the Stele for Master Cheolgam at Ssangbongsa Temple, which is Korean Treasure #170. The stele is believed to have been built at the same time as the accompanying stupa. While the body of the stele is missing, the base is turtle-shaped with the features of a dragon’s head. The dragon is holding a cintamani in its mouth, while the capstone is engraved with a cloud design.
How To Get ThereFrom the Hwasun Intercity Bus Terminal, you can catch Bus #218 to get to Ssangbongsa Temple.
Overall Rating: 7.5/10Unfortunately, the historic three-story Daeung-jeon pagoda no longer exists; instead, it’s been replaced by an exact modern replica. In addition to this beautiful architecture at Ssangbongsa Temple, you can see two amazing stone artifacts that give us a glimpse back into Korea’s past. There are a handful of temple shrine halls with beautiful paintings, as well as the treasured statues housed inside the Jijang-jeon Hall at Ssangbongsa Temple.
The Cheonwangmun Gate at the entry to Ssangbongsa Temple. A look through the second entry gate. The Jong-ru (Bell Pavilion) to the left of the Cheonwangmun Gate. The newly rebuilt Daeung-jeon Hall pagoda front and centre. To the left is the Jijang-jeon Hall. And to the right is the Nahan-jeon Hall and the Hoseong-jeon Hall. A look up at the amazing pagoda. A better look at the Hoseong-jeon Hall. A painting of Wonhyo-daesa’s enlightenment that adorns the Nahan-jeon Hall. One of the Siwang (Ten Kings of the Underworld) mural that adorns the Jijang-jeon Hall. A monk conducting morning prayers inside the Myeongbu-jeon Hall.
Billy Go’s Beginner Korean Course | #95: Two Things at Once Part 2
This is a continuation of the previous episode, where we learned about how to say "while" using 동안 and (으)면서. This time we'll be learning about how to use the ~다가 form.
Remember that this course goes in order, so start from the beginning if you're new. There will be 100 episodes in total once it's completed, and the last episode will go up before the end of this month.
The post Billy Go’s Beginner Korean Course | #95: Two Things at Once Part 2 appeared first on Learn Korean with GO! Billy Korean.
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BGN Eye Hospital Spring Event 2021
Spring is in the air!
Spring to 20/20 vision and enjoy the beautiful colors of cherry blossom this spring!
BGN Eye Hospital has some great promotion and gifts raffle this beautiful season for you!
Get rid of your glasses and lenses this spring and receive 100, 000 KRW discount for all kinds of Laser Vision Correction! ( excluding PRIME LASEK)
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Not sure if you are a candidate for SMILE, LASIK or LASEK? No worries, as examination and consultation at BGN Eye Hospital is free of charge. Contact us today to book an appointment and after an in-depth examination we will recommend the best option for each patient!
Wish to get rid of glasses and contact lenses this Spring? Than we have some more great news for you!
BGN Eye Hospital will conduct a raffle for all patients that did Laser Vision Correction surgeries ( LASIK,LASEK,SMILE) during the period from 1st of March to the 31st of May.
We will conduct raffle at the end of each month and on the 31st of May we will find out our main winner, who will get 1 night at 4* stars Hotel in Busan!
Here are the great prizes BGN prepared for you this Spring!
1st place - 1 night at 4 * hotel
2nd place- Lotte Department Store coupon ( worth 50,000 KRW) (each month)
3rd place - CGV movie tickets for 2 ( each month)
4th place - Free examination coupan from BGN for your family or friends ( worth 100,000KRW) ( each month)
*Only for patients, who did Laser Vision Correction Surgery at Busan Branch between 1st of March and 31st of May
Hurry up to book your appointment today and spring to your clear vision!
For booking an appointment and free Lasik consultation please refer to the following details:
Phone: 010-7670-3995
kakao: eye1004bgnbusan
Email: [email protected]
https://www.facebook.com/eyehospitalinkorea/
poster.eng_.png poster.busan_.eng_.png"To seem" ~아/어/etc. 하다 | Live Class Abridged
Most Sundays I offer free live Korean classes on my YouTube channel. Last Sunday's class was about the grammar form 아/어/etc. 하다. This grammar form is used to mean "to seem" or "to feel," and has several important uses when talking about the 3rd person.
The post "To seem" ~아/어/etc. 하다 | Live Class Abridged appeared first on Learn Korean with GO! Billy Korean.
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Nikon D-500 camera with Tamron 70-200 f/2.8
All of this come as a package. The package contains:
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5- Bagpack (Price: 70,000)
6- Tripod
Price: 1,050,000 (Negotiable)
Kakao ID: nak1995
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Korean Conjugation – How to Use Verbs & Adjectives
In this lesson, we’ll cover everything you need to know about Korean conjugation.
We’ll explain what Korean conjugation is, how to use it, and when to use it.
Let’s go over some common Korean conjugations – and rules related to them – so that you can get kickstarted on creating your own, conjugated sentences!
What is Korean conjugation?Korean conjugations in Korean grammar determine the meaning, tense, tone, and mood of sentences. It’s important to learn conjugation as you progress in learning Korean.
For example, let’s say you’re going to use the verb “go” in a sentence. The base form is in Korean is:
Base Form: 가다 (gada) – to go
However, you need to change it to the present tense.
Conjugated verb: 저는 가요 (I go)
We’ve added 저는 (“I”) as the subject, and then conjugated 가다 (to go).
However, unlike in any other language, Korean grammar takes conjugation to another level. Korean conjugation isn’t limited to verbs. Other parts of speech such as adjectives can be conjugated.
Are Korean conjugation rules different for verbs and adjectives?Most of the conjugation rules for Korean verbs also apply to adjectives. Once you learn the Korean verb conjugation rules, it’ll be easy to conjugate adjectives.
How many conjugations are there in Korean?There are 40 basic verb endings but there are over 400 verb endings when all are combined. They are made up of the different Korean grammar categories such as the different tenses (past tense, present tense, and future tense), honorifics, and voices to name a few.
How do you conjugate verbs in Korean?Korean verb conjugation is pretty easy to do. All you need to do is to drop the 다 verb endings from the verb stem and then add the appropriate verb endings. The correct verb endings to be used when conjugating verbs are determined by the final vowel after dropping the 다 verb endings from the verb stem.
We’ll get more into the details of conjugations in Korean in awhile.
What’s the common Korean verb conjugation?The common Korean verb conjugation is the use of 아요 and 어요 which gives the Korean verb its polite and present tense form.
Let’s use the verbs 자다 and 먹다 as an example. These 2 verbs are both in their verb stem form.
As mentioned earlier, conjugations of verbs in Korean happens by dropping the 다 verb endings from the verb stem.
For the verbs 자다 and 먹다, we’ll need to drop the 다 verb endings which will make them:
자다 → 자
먹다 → 먹
If the final vowel after dropping 다 is either ㅏ or ㅗ, you’ll use 아요. But if the final vowel after dropping 다 is ㅓ, ㅣ, or ㅜ, you’ll use 어요. So for the 2 example verbs above, they’ll become
자 → 자요
먹 → 먹어요
How important is it to learn Korean Conjugation?When learning the Korean language particularly the Korean grammar, Korean conjugation is very important to learn. As mentioned earlier, it sets the tense, tone, and meaning of your sentences which are basically all essential elements you’ll need when communicating.
Koreans give emphasis to politeness in everything including their language. Korean conjugation will help you show your respect and politeness towards a person.
Once you get familiar with the different conjugations, it’ll be easy for you to convey and appear to be respectful and polite.
Which part of the verb do you conjugate?Before learning which part of the Korean verb we need to conjugate, we need to take note that each Korean verb, adverb, and adjective consist of two pieces: a stem and an ending. The first part is the stem and 다 is the ending. These are usually their dictionary form.
When you conjugate any word, you will drop the 다 and replace it with the conjugation. Whenever you conjugate a verb, you only need to think of your tense and tone. The conjugation doesn’t change for the first person, second person, multiple people, etc.
Let’s take a quick look at some common Korean verbs in their basic form or dictionary form!
말하다 (malhada)
to speak
만나다 mannada)
to meet
가르치다 (gareuchida)
to teach
These verbs are made up of a verb stem and a 다 ending.
How to make the conjugation form of the verbs?In addition to what we already know about Korean conjugation, there are many conjugations that come together with a small puzzle piece that connects the stem to the conjugation in the most natural way. Let’s look at some simple examples of this.
말하다 + -아/어 → 말해요
만나다 + -아/어 → 만나요
닫다 + -아/어 → 닫아요
가르치다 + -아/어 → 가르쳐요
As you can see, the puzzle piece slightly changes the verb stem it joins. Most of the time the verbs play nice with them, so the rules are easy to learn.
How do I combine the verb stem and a conjugation?Simply, when 아 meets 아, it drops out. And when 아 meets 오, they connect together into one syllable; for example, 보 becomes 봐. When the verb stem ends in a consonant after 아 or 오, 아 becomes its own syllable.
For all other verb stems, you connect them with 어. When the verb stem ends with 이 the 이 + 어 combination cooks up 여. Only the verb 하다 is different and turns into 해.
Some conjugations also require the puzzle piece 으 connected to stems ending with a consonant. (으)면, which we will introduce below, is one such conjugation. We’ll go over how to conjugate irregular verbs at a later time.
Common Korean conjugations
In this part of the lesson, we’ll be showing the different conjugations for 2 of the commonly used Korean verb 보다 and 만들다.
보다 and 만들다 are the dictionary form of the verbs “to watch or to see” and “to make”. They both are made up of a verb stem and a 다 ending.
Let’s go over how to conjugate these common Korean verbs so that you can immediately see how all this works!
Conjugating 보다 (boda) “to watch/see”Below is a table with the different conjugations for the verb 보다 (boda) following the different tenses (Past Tense, Present Tense, and Future) and tones.
KoreanRomanizationEnglishTone 봐bwaI seeInformal 봐요bwayoI see (Present Tense)Polite/Neutral 봅니다bomnidaI seeFormal 봤어bwasseoI sawInformal 봤어요bwasseoyoI saw (Past Tense)Polite/Neutral 봤습니다bwasseumnidaI sawFormal 볼 거야 bol geoyaWill seeInformal 볼 거예요bol goyeyoWill see (Future Tense)Polite/Neutral 볼 겁니다bol geomnnidaWill seeFormalThe verb 보다 (boda) can also take other forms of conjugation. Let’s take a look at the table below to get familiar with them.
Korean RomanizationEnglishTone 봐라bwaraSee!Informal Command 보세요boseyoSee!Polite Command 보십시오bosibsioSee!Formal Command 보자bojaLet's see Informal/Neutral 봅시다bopsidaLet's see Polite/Formal 보고 bogoI see, and 보면bomyeonWhen/if I see 볼 수 있어bol su isseoCan seeInformal 볼 수 있어요bol su isseoyoCan seeNeutral/Polite 볼 수 있습니다bol su isseumnidaCan seeFormal 볼 수 없어bol su eopseoCannot seeInformal 볼 수 없어요bol su eopseoyoCannot seeNeutral/Polite 볼 수 없습니다bol su eopseumnidaCannot seeFormal 봐야 해bwaya haeMust seeInformal 봐야 해요bwaya haeyoMust seeNeutral/Polite 봐야 합니다bwaya hamnidaMust seeformal 보고 싶어bogo sipeoWant to seeInformal 보고 싶어요bogo sipeoyoWant to seeNeutral/Polite 보고 싶습니다bogo sipseumnidaWant to seeFormal 보고 싶지 않아bogo sipji anaDon't want to see Informal 보고 싶지 않아요bogo sipji anayoDon't want to see Neutral/Polite 보지 않아boji anaNot see Informal 보지 않아요boji anayoNot seeNeutral/Polite 보지 않습니다boji anseumnidaNot seeFormal 보고 있어bogo isseoAm/are/is seeing Informal 보고 있어요bogo isseoyoAm/are/is seeing Neutral/Polite 보고 있습니다bogo isseumnidaAm/are/is seeing Formal 볼까bolkkaShall we see?Informal 볼까요bolkkayoShall we see?Neutral/Polite 봤더라bwatdeoraSaw itInformal Fact Declaration 봤던데요bwatdeondeyoSaw itNeutral/Polite Fact Declaration Conjugating 만들다 (mandeulda) “to make”Below is a table with the different conjugations for the verb 만들다 (mandeulda) following the different tenses (Past Tense, Present Tense, and Future) and tones.
KoreanRomanizationEnglishTone 만들어mandeureoI makeInformal 만들어요mandeureoyoI make (Present Tense)Polite/Neutral 만듭니다mandeumnidaI makeFormal 만들었어mandeureosseoI madeInformal 만들었어요mandeureosseoyoI made (Past Tense)Polite/Neutral 만들었습니다mandeureosseumnidaI madeFormal 만들 거야mandeul geoyaWill makeInformal 만들 거예요mandeul goyeyoWill make (Future Tense)Polite/Neutral 만들 겁니다mandeul geomnnidaWill makeFormalThe verb 만들다 (mandeulda) can also take other forms of conjugation. Let’s take a look at the table below to get familiar with them.
KoreanRomanizationEnglishTone 만들어라mandeureoraMake!Informal Command 만드세요mandeuseyoMake!polite command 만드십시오mandeusibsioMake!formal command 만들자mandeuljaLet's make Informal/Neutral 만듭시다mandeupsidaLet's make Polite/Formal 만들고mandeulgo I make, and 만들면mandeulmyeonWhen/if I make 만들 수 있어mandeul su isseoCan makeInformal 만들 수 있어요mandeul su isseoyoCan makeNeutral/Polite 만들 수 있습니다mandeul su isseumnidaCan makeFormal 만들 수 없어mandeul su eopseoCannot makeInformal 만들 수 없어요mandeul su eopseoyoCannot makeNeutral/Polite 만들 수 없습니다mandeul su eopseumnidaCannot makeFormal 만들어야 해mandeureoya haeMust makeInformal 만들어야 해요mandeureoya haeyoMust makeNeutral/Polite 만들어야 합니다mandeureoya hamnidaMust makeFormal 만들고 싶어 mandeulgo sipeoWant to make Informal 만들고 싶어요 mandeulgo sipeoyoWant to make Neutral/Polite 만들고 싶습니다 mandeulgo sipseumnidaWant to make Formal 만들고 싶지 않아mandeulgo sipji anaDon't want to make Informal 만들고 싶지 않아요mandeulgo sipji anayoDon't want to make Neutral/Polite 만들지 않아mandeulji anaNot makeInformal 만들지 않아요mandeulji anayoNot make Neutral/Polite 만들지 않습니다mandeulji anseumnidaNot make Formal 만들고 있어mandeulgo isseoAm/are/is making Informal 만들고 있어요mandeulgo isseoyoAm/are/is making Neutral/Polite 만들고 있습니다mandeulgo isseumnidaAm/are/is making Formal 만들까mandeulkkaShall we make? Informal 만들까요mandeulkkayoShall we make? Neutral/Polite 만들었더라 mandeureotdeoraMade itInformal Fact Declaration 만들었던데요mandeureotdeondeyoMade itNeutral/Polite Fact DeclarationSuccess! You are now ready to start putting Korean conjugations to use in your Korean studies.
There are a lot of useful conjugations in here, so make sure you refer to this list often. In addition to these conjugations, there are many more you’ll later get to learn. You can also learn about Korean particles and how they fit into Korean grammar in general.
What Korean conjugation do you think is most useful? Let us know in the comments below!
The post Korean Conjugation – How to Use Verbs & Adjectives appeared first on 90 Day Korean®.
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Janggoksa Temple – 장곡사 (Cheongyang, Chungcheongnam-do)
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Temple HistoryJanggoksa Temple, which means “Guardian Valley Temple” in English, is located on the western slopes of Mt. Chilgapsan (559.7) in Cheongyang, Chungcheongnam-do. Located in a valley, Janggoksa Temple was first established in 850 A.D. by Seon Master Chejing (804-880 A.D.).
It should be noted that Seon Master Chejing, who was posthumously awarded the title of Master Bojo, established Borimsa Temple in Jangheung, Jeollanam-do. Borimsa Temple was established in 860 A.D. ten years after the establishment of Janggoksa Temple. Borimsa Temple was made at the request of King Heonan of Silla (r. 857-861 A.D.). Borimsa Temple was one of the Gusan Seonmun, or “Nine Mountain Zen Gates” in English. According to legend, and one year after the passing of the monk Doui (?-825 A.D.) in 826 A.D., Doui’s disciples gathered. At this meeting, his disciples decided to proclaim their unity and form the Gusan Seonmun for their school of Buddhism. Eight of these nine sects were from the Great Chan Master Mazu Daoyi (709-788 A.D.) lineage. The Gajisan Sect was established by Chejing. For more on the Gusan Seonmun, check out David Mason’s website.
So before Borimsa Temple was established in 860 A.D., Janggoksa Temple was established probably as a remote meditation centre for the practice of Seon Buddhism which was growing in popularity at this time. Janggoksa Temple would grow to be a medium sized temple, and it would undergo several repairs throughout the years of its existence. However, most of the temple’s history is largely unknown except the large number of relics that remain at Janggoksa Temple from the Goryeo Dynasty (918-1392), which would indicate that the temple flourished at this time.
The first of the known repairs took place in 1777, which was followed in 1866, 1906. Additional repairs took place at Janggoksa Temple in 1960 after the temple was partially damaged during the Korean War (1950-1953). The temple was further expanded in the 1990’s with a newly constructed Samseong-gak Hall at Janggoksa Temple. Uniquely, Janggoksa Temple is home to two Daeung-jeon Halls: the Lower and Upper Daeung-jeon Halls.
In total, Janggoksa Temple is home to two National Treasures: The Iron Seated Bhaisajyaguru Buddha and Stone Pedestal of Janggoksa Temple (N.T. #58) and the Hanging Painting of Janggoksa Temple – Maitreya Buddha (N.T. #300). There are four additional Korean Treasures that can be found at Janggoksa Temple like the Upper Daeung-jeon Hall and the Lower Daeung-jeon Hall.
Temple LayoutThe first structure that greets you at Janggoksa Temple is the temple’s stately Iljumun Gate. Continuing up the country road for an additional four hundred metres, you’ll finally come to the front façade of Janggoksa Temple. You’ll need to pass under the Unhak-ru Pavilion to gain admittance to the main temple courtyard at Janggoksa Temple. Having mounted the uneven set of stairs that runs through the Unhak-ru Pavilion, you’ll notice the Jong-ru (Bell Pavilion) to your immediate left. The Jong-ru is filled with the four traditional Buddhist percussion instruments. But back at the Unhak-ru Pavilion, and situated on the second floor of the open pavilion, is a replica of the Hanging Painting of Janggoksa Temple (Maitreya Buddha). The original Gwaebul is National Treasure #300. The original Gwaebul was painted in 1673 by five monks for the long life of King Hyeongjong of Joseon (r. 1659-1674), his Queen, and the prince. The National Treasure stands an astounding 8.609 metres in height and 5.99 metres in width. The central image in the Gwaebul is Mireuk-bul (The Future Buddha). This central image is joined by six Buddhas and six Bodhisattvas. Mireuk-bul has a crown that’s adorned with the image of four Buddhas. Also, and rather interestingly, the overall aesthetic of the mural looks similar to a Vulture Peak mural.
Across the lower temple courtyard from the Unhak-ru Pavilion is the Ha Daeung-jeon Hall (Lower Daeung-jeon Hall). The Lower Daeung-jeon Hall was first constructed during the mid-Joseon Dynasty (1392-1910), and it’s Korean Treasure #181. The exterior walls to this historic main hall are adorned with simplified dancheong colours. Stepping inside the Lower Daeung-jeon Hall, you’ll uniquely notice that Seokgamoni-bul (The Historical Buddha), who is traditionally housed inside a Daeung-jeon Hall, is replaced by the image of Yaksayeorae-bul (The Medicine Buddha, and the Buddha of the Eastern Paradise). This statue of Yaksayeorae-bul that sits all alone on the main altar is officially known as the Gilt-bronze Seated Bhaisajyaguru Buddha of Janggoksa Temple. This gilt-bronze statue was first created in 1436, and it’s Korean Treasure #337. Yaksayeorae-bul holds a medicine case in his left hand while making a mudra (ritualized hand gesture) with his right hand. Joining the main altar statue inside the Lower Daeung-jeon Hall are a collection of three murals. To the left hangs a modern mural dedicated to Chilseong (The Seven Stars). And to the right hangs two additional murals. The first is a Vulture Peak mural, while the other is a Shinjung Taenghwa (Guardian Mural).
To the right of the Lower Daeung-jeon Hall stands Janggoksa Temple’s Myeongbu-jeon Hall. This hall is dedicated to Jijang-bosal (The Bodhisattva of the Afterlife) who appears on the main altar with a golden cap and green hair. The Myeongbu-jeon Hall is joined to the left of the Ha Daeung-jeon Hall by the Seolseon-dang Hall. Like the Lower Daeung-jeon Hall, the Seolseon-dang Hall is believed to date back to the mid-Joseon Dynasty. It was originally built as a meditation and lecture hall. It’s Korean Tangible Cultural Property #151. The exterior is unadorned, and it’s off-limits to visitors.
Climbing another set of stairs that will lead you up towards the upper courtyard at Janggoksa Temple, you’ll find three additional shrine halls. The first of these shrine halls is the Sang Daeung-jeon Hall (Upper Daeung-jeon Hall), which is the second main hall at Janggoksa Temple. The Upper Daeung-jeon Hall was first built during the Goryeo Dynasty (918-1392), and it’s Korean Treasure #162. The interior flooring of the Upper Daeung-jeon Hall is made of bricks, some of which have an eight petal lotus pattern on them. These seem to date back to Later Silla (668-935 A.D.). The central image inside the second main hall is the Iron Seated Vairocana Buddha and Stone Pedestal of Janggoksa Temple, which is Korean Treasure #174. Birojana-bul (The Buddha of Cosmic Energy) appears to have a small triangular face with long eyebrows and small eyes. The stone base that Birojana-bul sits upon was originally designed for a seokdeung (stone lantern), so the statue doesn’t quite seem to match its base. The statue of Birojana-bul is believed to date back to the mid-9th century. Rather strangely, this statue, and the accompanying main altar statues inside the Upper Daeung-jeon, were absent during my early morning visit; instead, just a cloth hat appeared on the pedestal instead of the historic statue.
Also conspicuously absent in the Upper Daeung-jeon Hall was the Iron Seated Bhaisajyaguru Buddha and Stone Pedestal of Janggoksa Temple, which is National Treasure #58. Like the statue of Birojana-bul that rests in the centre of the three statues inside the Upper Daeung-jeon Hall, all that remained of the iron statue of Yaksayeorae-bul (The Medicine Buddha, and the Buddha of the Eastern Paradise) was its stone pedestal and a cloth formed into a hat. The National Treasure dates back to the early 10th century. The stone pedestal is wide with holes on all four corners of it, indicating that it was once protected by a canopy. As for the statue itself, it has its right hand pointing to the ground, while the left rests on its lap. Originally, the iron statue of Yaksayeorae-bul had a medicine jar in its left hand, but it’s now missing.
The shrine hall next to the Upper Daeung-jeon Hall is the temple’s Eungjin-jeon Hall. A solitary statue of Seokgamoni-bul (The Historical Buddha) sits on the main altar on a large red silk pillow. Seokgamoni-bul is joined by a hundred Nahan (The Historical Disciples of the Buddha) statues. It’s also from the upper courtyard that you get a beautiful view of the valley where Janggoksa Temple is located, as well as the lower courtyard.
The last temple shrine hall that visitors can explore at Janggoksa Temple is the crowning Samseong-gak Hall which is situated at the highest point of the temple grounds. Up a side-winding pathway, you’ll be led up to the shaman shrine hall. Housed inside the Samseong-gak Hall are three murals dedicated to the most popular shaman deities at a Korean Buddhist temple. They are Dokseong (The Lonely Saint), Chilseong (The Seven Stars), and Sanshin (The Mountain Spirit). Of the three, it’s the Santa-esque mural dedicated to Sanshin that stands out the most for its artistic originality.
How To Get ThereFrom the Cheongyang Intercity Bus Terminal, you can catch a taxi to Janggoksa Temple. It’ll cost around 17,000 won and take about 25 minutes.
Overall Rating: 8/10It’s rare for a Korean Buddhist temple to house a single National Treasure, let along two. But not only does Janggoksa Temple house two national Treasures, it’s also home to two Daeung-jeon main halls, as well as four additional Korean Treasures. Janggoksa Temple is packed with originality and beauty; and while it’s lesser known among the major temples in Korea, it’s definitely worth a visit.
The Jong-ru (Bell Pavilion) at the entry of the lower temple courtyard. Passing under the Unhak-ru Pavilion as you enter the lower temple courtyard with the Lower Daeung-jeon Hall straight ahead. The Lower Daeung-jeon Hall is Korean Treasure #181. The Gwaebul replica that’s housed inside the Unhak-ru Pavilion. The original is National Treasure #300. A look inside the Lower Daeung-jeon Hall. The main altar statue of Yaksayeorae-bul (The Medicine Buddha) is Korean Treasure #337. The main altar inside the neighbouring Myeongbu-jeon Hall. The view from the upper courtyard. The Upper Daeung-jeon Hall (left), which is Korean Treasure #162. To the right is Janggoksa Temple’s Eungjin-jeon Hall. A look inside at the Upper Daeung-jeon Hall. All three altar statues are absent including National Treasure #58 (far right pedestal) and Korean Treasure #174 (central pedestal). A look inside the neighbouring Eungjin-jeon Hall. The wandering path that leads up to the Samseong-gak Hall. And the Santa-esque painting dedicated to Sanshin (The Mountain Spirit).Gwimyeon – The Monster Mask: 귀면
This posts contains affiliate links. I receive a percentage of sales, if you purchase the item after clicking on an advertising link at no expense to you. This will help keep the website running. Thanks, as always, for your support!
IntroductionIf you look close enough at temple paintings, you’ll probably notice a menacingly grotesque face staring back at you. To the uninitiated eye these faces appear to be nothing more than ornamental. However, these paintings do in fact have a meaning. So what are their meaning? What do they look like? And why are they are adorning Korean Buddhist temples?
Another Gwimyeon from Samgwangsa Temple at the base of the famed Daebo nine-story pagoda. Gwimyeon DesignThe name of these ornamental designs that take up residence in and around temple shrine halls are known as Gwimyeon, or “Monster Masks” in English. These ornamental Monster Masks have noses with flaring nostrils. They can also have whiskers, horns, and sharp teeth. They have a broad, menacing grin, which invites you to look at them. Another name for a Gwimyeon is Nathwi. Nathwi is a compound word. “Nat” means “face” in English, while “Hwi” is a Chinese character that means “multi-coloured” in English.
There are two types of Gwimyeon. The first type holds nothing in its mouth, while the second can hold a variety of things in its mouth. Such objects are traditionally lotus vines, a lotus bud, or some sort of foliage. This helps to differentiate it from a dragon which traditionally holds a Cintamani (Wisdom Pearl) in its mouth. Of the two types of Gwimyeon, it’s more common to find one that has something in its mouth.
Also, if you look closely at the Gwimyeon image, you’ll notice that they are often times staring in different directions. If a Gwimyeon is by themselves, they will usually stare straight ahead; however, if they are in a group of two or more, they usually stare in different directions. The diversity of their gazes allow them to protect more space at the temple. And sometimes, if a Gwimyeon is by themselves, they will be cross-eyed. Like the group of Gwimyeon, this is done to help create two lines of vision instead of one, which doubles the amount of evil spirits that might be attempting to infiltrated the inner sanctum of the temple grounds.
A pair of Gwimyeon that adorn the front doors of the Myeongbu-jeon Hall at Buseoksa Temple in Yeongju, Gyeongsangbuk-do. Gwimyeon HistoryThe origins of Gwimyeon date back to India. Specifically, you can find this type of ornamental designs in Hindu temple architecture in India. The specific Gwimyeon iconography comes from the image of Kirtimukha. Kirtimukha is a Sanskrit compound word meaning “Fame Glory Face” in English: “Mukha” meaning “face,” while “Kirti” means “fame glory.” Traditionally in South Indian architecture, they are placed at the highest point or entry of a temple to create awe through their intimidatingly awe-inspiring appearance.
As a Kirtimukha, they appear as having a fierce monster face with large fangs and a wide-open mouth. The Kirtimukha, and the Gwimyeon for that matter, are often confused with a lion, or even a dragon. However, what differentiates Kirtimukha and Gwimyeon from lions and dragons is that Kirtimukha and Gwimyeon are eating or swallowing something in their mouths.
A frightful older Gwimyeon painting found inside the Bukgeuk-jeon Hall at Anyangam Hermitage on the Tongdosa Temple grounds in Yangsan, Gyeongsangnam-do.As for where they first can be found, Kirtimukha originate in a legend from the Skanda Purana (is the largest Mahāpurāṇa, a genre of 18 Hindu religious texts) and Shiva Purana (one of the eighteen major Purānas texts). The story of Kirtimukha starts with King Jalandhara. Through King Jalandhara’s extraordinary religious austerity, the king accumulated extraordinary powers. One day, through a prideful burst of anger, Kirtimukha sent forth his messenger, the monster Rahu, who represents materialism, mischief, fear, dissatisfaction, obsession and confusion. It was Rahu’s task to eclipse the moon. By doing this task, it would challenge Shiva. Shiva’s immediate response was to explode in a tremendous burst of power from his third eye. This created a ravenous demon lion onto the world. Terrified, Rahu begged for the mercy of Shiva. Benevolently, Shiva agreed. However, Shiva still had a famished demon lion to feed. To help solve this problem, Shiva suggested that Kirtimukha should feed upon the flesh of its own feet and hands. To help pacify and placate both Shiva and the demon lion, Kirtimukha ate his own body starting with its tail and stopping with only its face remaining. Shiva was pleased with this sacrificial gesture, so he named the messenger Kirtimukha (Fame Glory Face). Shiva also declared that Kirtimukha should always have its image placed at the entry of a temple as a symbol of sacrifice and devotion, as well as the very symbol of Shiva himself.
Through Buddhist and Korean influences, the Kirtimukha became more grotesque and colourful in appearance. Like the Kirtimukha, a Gwimyeon is meant to protect a temple from malevolent spirits. That’s why you’ll typically find Gwimyeon adorning the entryway to temple shrine halls or one of the five temple entry gates like the Iljumun Gate or the Cheonwangmun Gate.
A colourful Gwimyeon that adorns the front entryway to the Daeung-jeon Hall at Pyochungsa Temple in Miryang, Gyeongsangnam-do. Gwimyeon ExamplesYou can find great examples of Gwimyeon throughout most Korean Buddhist temples. Some personal favourites of mine can be found at Geumsuam Hermitage and Anyangam Hermitage on the Tongdosa Temple grounds. Other great examples can be found on the Daeung-jeon Hall at Samgwangsa Temple in Busanjin-gu, Busan and the Myeongbu-jeon Hall at Buseoksa Temple in Yeongju, Gyeongsangbuk-do. A couple other great spots to see dazzling Gwimyeon are on the Daeung-jeon Hall at Pyochungsa Temple in Miryang, Gyeongsangnam-do and above the Cheongun-gyo Bridge (Blue Cloud Bridge) at Bulguksa Temple in Gyeongju.
ConclusionSo the next time you’re at a Korean Buddhist temple, especially around the temple entry and the temple shrine hall entryways, have a look for the colourful Gwimyeon that adorn these parts of the temple grounds. They’re typically masterfully executed with vibrant colours. Just try not to be too surprised or scared when you see them looking back at you!
Above the entryway to the Cheongun-gyo Bridge (Blue Cloud Bridge) at Bulguksa Temple. A Gwimyeon that adorns the Iljumun Gate at Geumsuam Hermitage on the Tongdosa Temple grounds in Yangsan, Gyeongsangnam-do.어릴 때 vs 어렸을 때 | Korean FAQ
Both 어릴 때 and 어렸을 때 are correct, but have different meanings. In fact, both of these can actually mean "When (I) was young."
However, there are situations where one of these can be used and the other can't.
Let's learn exactly what these phrases mean, as well as a bit more about the word 때 ("time").
The post 어릴 때 vs 어렸을 때 | Korean FAQ appeared first on Learn Korean with GO! Billy Korean.
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